Furniture

Teresa Lundmark and Gustav Winsth designed the Dag Daybed for Gärsnäs in solid beech, with cushioning that swells through the wooden frame to soften its structural presence.

Open Dressing is a solid aluminium bench and mirror combined into a single sculptural object, with a shared platform element extending and unifying both forms.

TELLS STUDIO's Koons Series takes the structural logic of Jeff Koons' balloon dog as a single building block, extending it across a coffee table, side table, mirror, dining table, cart, wall shelf, and lamps.

Note (design studio) and Gunilla Allard designed Sunny for Lammhults around the contours of the human body rather than standard contract furniture dimensions, with a U-shaped zinc connector for linking chairs.

Note's Campfire is a 6-piece collection of benches, tables, and a screen designed around the social and spatial qualities of gathering around a fire.

Laws of Motion is a limited edition of 9 pieces plus 2 artist's proofs, combining oak, marble, and metal across mirrors, tables, and seats made for BREUER by Joel Escalona.

Objective Gallery presented Jeff Martin and Sam Klemick in a joint exhibition exploring dead-stock fabric, salvaged Douglas fir, and hand-sculpted stoneware as primary design materials.

Muller Van Severen's Alltubes Bench uses bent aluminum tubes as both structure and surface, sharing a formal vocabulary with the cabinets and chair in the wider Alltubes series.

ONE WEEK's Pod Collection is a rounded upholstered seating range in 3 configurations, finished in Kvadrat's 3D knitted wool fabric with recessed armrests and high-resilience cushioning.

ASET's Standard Shelf is a stainless steel modular storage system using three module sizes that combine in any direction without tools, fasteners, or predetermined limits.

Birnam Wood Studio and Suna Bonometti collaborate on a coffee table combining hand-carved wood legs with a geometric stone top.

Deceres translates Mayan, brutalist, and pre-Columbian forms into 3 handcrafted oak furniture pieces designed between Mexico City and California.

Vonnegut Kraft builds the Sonia collection from geometric plywood shapes finished in bold colors. Furniture designed and made in Los Angeles.

Willett's Otto dining set pairs bent plywood and geometric precision. Table and chairs from their Los Angeles studio shift between function and sculpture.

TIEL in Seoul rebuilds Gerrit Rietveld's 1918 Red and Blue Chair using aluminum profiles, HDPE panels, and 3D-printed joints. Flat-pack assembly replaces traditional woodworking.

SATURDAY YARD WORK casts aluminum from deformed polystyrene molds in Adelaide. The finished coffee table preserves every crease and texture from the original foam.

Atelier d'Amis casts construction-grade concrete into domestic furniture forms. Tables, benches, and shelving made from standard building materials in Paris.

Oficina Penadés builds a chair held together by leather belts instead of screws or glue. Ash wood frame, no permanent joints.

mpgmb designs a wall-mounted shelf in bold colors and postmodern geometry. The piece channels Memphis Group forms from their Montreal studio.

Fractall casts textured concrete bases from styrofoam molds and pairs them with smooth aluminum tube seating. Rough and refined surfaces meet in a single bench.

Ben Storms carves a compressed steel form into green onyx, translating metal's response to force into translucent stone for his LIQUID SOLIDS series.

Max Lamb coats furniture in aluminum using industrial thermal spray guns. No drawings, no plans. The process builds form directly from molten metal particles.

Markus Töll hand-forges liquid silver steel frames and pairs them with off-white leather and faux fur. Furniture from his Vienna studio SUPERSEDIA.

Anthony Guex pairs dark marble with pale ash wood in 2 coffee tables. The Abaque series explores weight and lightness through contrasting materials.

Marie and Alexandre design the CR Coffee Table for signé using blown glass feet in blue, yellow, or amber beneath a glass top. Handcrafted in France.